Flatpicking Guitar Magazine, Volume 3, Number 2, January / February 1999 - Jim Hurst
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The January/February 99 issue of the Flatpicking Guitar Magazine includes:
An article about Jim Hurst: tab to "Alarm Clock"
An article about guitar modification and set up wizard Dan Lashbrook
Rhythm Masters: An article about Russell Moore of IIIrd Tyme Out
Flatpicking Profile: An article about Tim May of Crucial Smith
Columnist Profile: An article about Bryan Kimsey
By Reqest: Transcription of Kenny Smith's "Studebaker"
Articles from the following contributors:
Steve Kaufman: Tab to "Flint Hill Special"
Adam Granger: Flatpicking Fiddle Tunes: The Presidential Medley
Joe Carr: Flatpick Rhythm Guitar: 5/4 Time, tab to "Take Five"
Orrin Star: Tab to: "St Anne's Reel"
Dan Huckabee: Beginners Page: tab to "Under The Double Eagle"
Dix Bruce: "Sally Goodin'" Texas/Sock Rhythm Back-up
Chris Jones: Break Time: Slow Song Intros
Brad Davis: Double-Time Lead
Craig Vance: Don't Let Your Guard Down
Mike Maddux: Music Theory: Mastering the Fingerboard: Blues Scales
Steve Pottier: Exploring Bluegrass Guitar: Improvisation V, tab to "Devil's Dream"
John McGann: Right Hand Command
Don Gallagher: Inlaying Pearl, Part II
Guitar Highlight: Collings Clarence White Model
CD Highlight: Travis Alltop "Two Different Worlds", tab to "Fickle Wind"
CD Reviews: Orrin Star and the Sultans of Swing - Sultans Live!, Dix Bruce - Tuxedo Blues, Richard Bennett - A Long Lonesome Time, Jim Hurst - Open Window
Performance Video Reviews: Doc Watson & David Grisman in Concert
Gear Reviews: High Cliff Soundboard Acoustic Instrument Amplifier
Flatpicking Guitar Magazine, Volume 3, Number 3, March / April 1999 - John Carlini
Flatpicking Guitar Magazine, Volume 3, Number 1, November / December 1998 - Tony Rice: SOLD OUT OF HARD COPY
Flatpicking Guitar Magazine, Volume 3, Number 6, September / October 1999 - Gary Brewer
Flatpicking Guitar Magazine, Volume 3, Number 4, May / June 1999 - John Moore
Flatpicking Guitar Magazine, Volume 3, Number 5, July / August 1999 - Jeff White
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